Actually, Fonda was nominated on several occasions, and won for On Golden Pond. I believe he also won a Golden Globe, and I am fairly sure he won a BAFTA. He also won a Tony for his stage creation of Mr Roberts. Edward G Robinson's career spanned some of the biggest movies of the day, back in his heyday of the '40s, and he received top billing over Bogart on many occasions. He was never nominated - and should have been - but he didn't have much face in Hollywood post-McCarthy (to protect himself, Robinson had 'named names' during the House Un-American Activities witchhunt). Still, he made a comeback to co-star in a number of top movies.
Lia, I don't think a 'win' is necessary to be recognised. I do think VDO needs to move to the next level of his career, to be a presence in films where he can be nominated, where he can move up from the minor indie ranks. I love indie films myself, and I love smallish films, too. VDO's indies are not often even easy to find on DVD. ( I suspect that his new-found fame has prompted a few TV movie channels to rummage through their collections for D'Onofrio flicks.) His parts, with some exceptions, are small as well.
Now, he can keep on doing little films and supporting parts, or he can join the company of the greats. Here is a career path that I would like VDO to parallel. Sir Anthony Hopkins made his name in both mainstream, indie and art-house Merchant Ivory flicks, and he has been recognised by the industry, by his country, and by the film-going world at large. He chose good films, good parts, I think, without sacrificing "art", and as he rose in recognition, his choice of roles magnified. IMO, VDO needs better offers, or to make better choices, and the latter usually affects the former.
Lia, I don't think a 'win' is necessary to be recognised. I do think VDO needs to move to the next level of his career, to be a presence in films where he can be nominated, where he can move up from the minor indie ranks. I love indie films myself, and I love smallish films, too. VDO's indies are not often even easy to find on DVD. ( I suspect that his new-found fame has prompted a few TV movie channels to rummage through their collections for D'Onofrio flicks.) His parts, with some exceptions, are small as well.
Now, he can keep on doing little films and supporting parts, or he can join the company of the greats. Here is a career path that I would like VDO to parallel. Sir Anthony Hopkins made his name in both mainstream, indie and art-house Merchant Ivory flicks, and he has been recognised by the industry, by his country, and by the film-going world at large. He chose good films, good parts, I think, without sacrificing "art", and as he rose in recognition, his choice of roles magnified. IMO, VDO needs better offers, or to make better choices, and the latter usually affects the former.
Yes, Fonda was nominated, and won an Oscar as he departed this world,but I was speaking more for those that do great work and are never recognized. There are many. As for Edward G. Robinson, many fine actors, directors, and producers of that time had to make the same horrible decision to keep their careers afloat. It was an awful time in America. Some paid the price for speaking up, and some paid the price for not speaking up. There are films on this subject alone that show what a strange time that was. If that were happening today, I can think of many people in Hollywood that look like they would possibly fold too. We don't know how any of the people we love today would react to such a bizarre witch hunt.
I think you make great points. D'Onofrio is one of many actors that do TV that have to make the risky decision of how to proceed from there. TV is regular work. Great films are harder to come by. I think it shows artistic guts to decide to go after parts in films that may not make a bold statement, but rather simply portray some in depth look at the human psyche...like he did in The Whole Wide World, or as the father in Thumbsucker, and so on and so on. It's just my personal feeling that whether he takes a lead in a major film or not I feel that he has made a contribution to the art of films even thus far and with talent like his, will continue to do so.


